"Your Money Or Your Life" by Ishan People

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Reggae from the 1970s Jamaica-to-Toronto scene

Jamaican music has had a huge influence on the musical history of Toronto. A lot of that is thanks to the new Canadians who helped build a thriving reggae scene here in the late 1970s. One of the most successful groups was Ishan People.

Their lead singer, Johnny Osbourne, had already made a name for himself back home in Jamaica, recording his first single at the legendary Studio One. But on the day he finished his first album, he left Jamaica behind, moving to Toronto to be with his family. Here, he sang for a bunch of bands before finally ending up as the frontman for Ishan People. They helped to pave the way for reggae artists in Toronto, playing their laid-back tunes in clubs like the Horseshoe Tavern back in the days when Queen Street was still full of notoriously angry punk music.

"Your Money Or Your Life" was one of the tracks on their debut album, Roots, which came out in 1976 and was produced by David Clayton-Thomas (who had been part of the Yorkville scene in the '60s before becoming the lead singer for Blood, Sweat & Tears).

After Ishan People broke up, Osbourne headed back to Jamaica. But he wasn't the only great reggae artist to come to Toronto: immigrants like Jackie Mittoo and Jojo Bennett made sure that our city's reggae scene would be producing amazing albums for years to come.

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You can buy a copy of Ishan People's debut album here.

Listen to more from the Jamaica-to-Toronto scene here.

Listen to David Clayton-Thomas & The Bossmen here

All songs are posted to promote the artist and the history of Toronto. When possible, I've sought permission from artists, but if you're the copyright-holder and would like the song removed, please contact me here and I'll be happy to do so.   

"Elements Of Style" by Michie Mee & L.A. Luv

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Early Toronto hip hop

Michie Mee is known as Canada's first famous female MC and the first Canadian rapper to ever be signed to a major American label. She was born in Jamaica but moved to Jane & Finch as a kid, where she started rapping as a teenager in the mid-1980s. Soon, she'd developed her own unique style, combining early North American hip hop with raw Jamaican reggae and dancehall. She teamed up with Toronto producer L.A. Luv and they released their first single — "Elements of Style" — in 1987.

The duo got plenty of support from legendary hip hop artists like KRS-One and Scott La Rock from Boogie Down Productions, but they broke up after releasing just one full-length album: Jamaican Funk—Canadian Style in 1991. L.A. Luv would go on to join Dream Warriors, while Michie Mee still has her own solo career, is an actor, and was a founding member of the rap metal group Raggadeath.

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You can buy Jamaican Funk—Canadian Style here.

Listen to more early Toronto hip hop here.

All songs are posted to promote the artist and the history of Toronto. When possible, I've sought permission from artists, but if you're the copyright-holder and would like the song removed, please contact me here and I'll be happy to do so.   

"Angels With Dirty Faces" by John Paul Young

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1980s New Wave pop

John Paul Young was best known as the keyboardist and vocalist for a 1970s Toronto punk band called The Cardboard Brains. But by 1980, he was looking to explore some weirder, more experimental sounds — something vaguely in the vein of Brian Eno. That's when he released his first solo record, The Life of Ermie Scub, a wonderfully bizarre futuristic concept album full of synthesizers, looped drum beats and vocals that land somewhere between David Byrne and a Halloween monster. Songs titles like "Surrender To The Void", "The Monster In Ed" and "Boy In The Gutter With The Broken Mind" hint at some of the strange shit going down on this record. And while it's far from normal, "Angels With Dirty Faces" is easily one of the most radio-friendly tracks on the album.

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You can buy The Life of Ermie Scub on vinyl here.

Listen to more Toronto New Wave here

All songs are posted to promote the artist and the history of Toronto. When possible, I've sought permission from artists, but if you're the copyright-holder and would like the song removed, please contact me here and I'll be happy to do so.